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document.write('<p class="rss-title"><a class="rss-title" href="http://caliber.ucpress.net/loi/fq?ai=s6&mi=6fhz&af=R" target="_self">Film Quarterly: Table of Contents</a><br /><span class="rss-item">Current Issue: Vol. 63, No. 4</span></p>');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.cover?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: C1–C1. ..." target="_self">Cover</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.toc?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 1–2. ..." target="_self">Table of Contents</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.fm?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 3–3. ..." target="_self">Front Matter</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.04?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 4–6. ..." target="_self">Three Types of Nothing</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.07?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 7–9. ..." target="_self">Remarks on Method</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.10?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 10–11. ..." target="_self">Pathways and Detours</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.12?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 12–13. ..." target="_self">Students of Genre</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.14?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 14–17. ..." target="_self">The Trouble with Perfume</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.18?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 18–32. ..." target="_self">Films of the Year, 2009</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.33?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 33–39. ..." target="_self">No Fun: Debunking the 1960S in Mad Men and A Serious Man</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.40?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 40–47. ..." target="_self">Pre-War Trauma: Haneke\'s The White Ribbon</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.48?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 48–55. ..." target="_self">Aberrations of Beauty: Violence and Cinematic Resistance in Haneke\'s The White Ribbon</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.56?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 56–58. ..." target="_self">South by Southwest, 2010</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.59?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 59–61. ..." target="_self">Anniversary Blues</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.62?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 62–64. ..." target="_self">Vorschneider in Focus</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.65?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 65–69. ..." target="_self">Vertov\'s World</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.70?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 70–74. ..." target="_self">Un-Dimensional Man: Dillinger is Dead</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.75?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 75–76. ..." target="_self">Cléo de 5 à 7 by Steven Ungar8½ by D. A. Miller</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.77?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 77–78. ..." target="_self">Screen Education: From Film Appreciation to Media Studies by Terry Bolas</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.78?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 78–79. ..." target="_self">On Kubrick by James Naremore</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.79?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 79–80. ..." target="_self">Off Key: When Film and Music Won\'t Work Together by Kay Dickinson</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.80?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 80–81. ..." target="_self">The Contemporary Hollywood Film Industry ed. Paul McDonald and Janet WaskoBrand Hollywood: Selling Entertainment in a Global Media Age by Paul Grainge</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.82?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 82–83. ..." target="_self">The Secret Life of Romantic Comedy by Celestino DeleytoRomantic Comedy: Boy Meets Girl Meets Genre by Tamar Jeffers McDonald</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.83?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 83–84. ..." target="_self">Reframing Screen Performance by Cynthia Baron and Sharon Marie Carnicke</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.84?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 84–85. ..." target="_self">Childhood and Cinema by Vicky LebeauA Family Affair: Cinema Calls Home ed. Murray Pomerance</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.86?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 86–87. ..." target="_self">Her Fine Soft Flesh</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/FQ.2010.63.4.bm?ai=s6&mi=6fhz&af=R" title="Film Quarterly  Jun 2010, Vol. 63, No. 4: 88–88. ..." target="_self">Back Matter</a><br />');
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