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document.write('<p class="rss-title"><a class="rss-title" href="http://caliber.ucpress.net/loi/jams?ai=sz&mi=6fhz&af=R" target="_self">Journal of the American Musicological Society: Table of Contents</a><br /><span class="rss-item">Current Issue: Vol. 63, No. 1</span></p>');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/jams.2010.63.1.cover?ai=sz&mi=6fhz&af=R" title="Journal of the American Musicological Society  Apr 2010, Vol. 63, No. 1: C1–C1. ..." target="_self">Cover</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/jams.2010.63.1.fm?ai=sz&mi=6fhz&af=R" title="Journal of the American Musicological Society  Apr 2010, Vol. 63, No. 1: C2–ii. ..." target="_self">Front Matter</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/jams.2010.63.1.toc?ai=sz&mi=6fhz&af=R" title="Journal of the American Musicological Society  Apr 2010, Vol. 63, No. 1: iii–iv. ..." target="_self">Table of Contents</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/jams.2010.63.1.1?ai=sz&mi=6fhz&af=R" title="Journal of the American Musicological Society  Apr 2010, Vol. 63, No. 1: 1–43. ..." target="_self">Lo Schiavetto (1612): Travestied Sound, Ethnic Performance, and the Eloquence of the Body</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/jams.2010.63.1.45?ai=sz&mi=6fhz&af=R" title="Journal of the American Musicological Society  Apr 2010, Vol. 63, No. 1: 45–97. ..." target="_self">False Messiah</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/jams.2010.63.1.99?ai=sz&mi=6fhz&af=R" title="Journal of the American Musicological Society  Apr 2010, Vol. 63, No. 1: 99–141. ..." target="_self">The Testimonial Aesthetics of Different Trains</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/jams.2010.63.1.143?ai=sz&mi=6fhz&af=R" title="Journal of the American Musicological Society  Apr 2010, Vol. 63, No. 1: 143–149. ..." target="_self">Handel\'s Operas, 1726–1741, by Winton Dean. Woodbridge, UK, and Rochester, NY: Boydell Press, 2006. xx, 565 pp</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/jams.2010.63.1.149?ai=sz&mi=6fhz&af=R" title="Journal of the American Musicological Society  Apr 2010, Vol. 63, No. 1: 149–155. ..." target="_self">Carl Philipp Emanuel Bach. The Complete Works. The Packard Humanities Institute in cooperation with the Bach-Archiv, Leipzig, the Sächische Akademie der Wissenschaften zu Leipzig, and Harvard University. Los Altos, CA: The Packard Humanities Institute, 2005–</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/jams.2010.63.1.155?ai=sz&mi=6fhz&af=R" title="Journal of the American Musicological Society  Apr 2010, Vol. 63, No. 1: 155–159. ..." target="_self">The Invention of “Folk Music” and “Art Music”: Emerging Categories from Ossian to Wagner, by Matthew Gelbart. New Perspectives in Music History and Criticism Series. Cambridge and New York: Cambridge University Press, 2007. xii, 287 pp</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/jams.2010.63.1.159?ai=sz&mi=6fhz&af=R" title="Journal of the American Musicological Society  Apr 2010, Vol. 63, No. 1: 159–168. ..." target="_self">Jerome Kern, by Stephen Banfield. Foreword by Geoffrey Block. Yale Broadway Masters. New Haven, CT, and London: Yale University Press, 2006. xii, 375 pp.Oklahoma! The Making of an American Musical, by Tim Carter. New Haven, CT, and London: Yale University Press, 2007. xix, 327 pp.Sigmund Romberg, by William A. Everett. Foreword by Geoffrey Block. Yale Broadway Masters. New Haven, CT, and London: Yale University Press, 2007. xix, 362 pp.Frank Loesser, by Thomas L. Riis. Foreword by Geoffrey Block. Yale Broadway Masters. New Haven, CT, and London: Yale University Press, 2008. xix, 332 pp</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/jams.2010.63.1.169?ai=sz&mi=6fhz&af=R" title="Journal of the American Musicological Society  Apr 2010, Vol. 63, No. 1: 169–178. ..." target="_self">The End of Early Music: A Period Performer\'s History of Music for the Twenty-First Century, by Bruce Haynes. Oxford and New York: Oxford University Press, 2007. xix, 284 pp</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/jams.2010.63.1.179?ai=sz&mi=6fhz&af=R" title="Journal of the American Musicological Society  Apr 2010, Vol. 63, No. 1: 179–180. ..." target="_self">Contributors to This Issue</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/jams.2010.63.1.181?ai=sz&mi=6fhz&af=R" title="Journal of the American Musicological Society  Apr 2010, Vol. 63, No. 1: 181–188. ..." target="_self">Publications Received</a><br />');
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document.write('<li class="rss-item"><a class="rss-item" href="http://caliber.ucpress.net/doi/abs/10.1525/jams.2010.63.1.189?ai=sz&mi=6fhz&af=R" title="Journal of the American Musicological Society  Apr 2010, Vol. 63, No. 1: 189–189. ..." target="_self">Directions to Contributors</a><br />');
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