feed2js_ck = true; document.write('

'); document.write('

Music Theory Spectrum: Table of Contents
Current Issue: Vol. 32, No. 1

'); document.write('

Cover
'); document.write('
Front Matter
'); document.write('
Table of Contents
'); document.write('
Prolongation in the Choral Music of Benjamin Britten
'); document.write('
Non-Conventional Planar Designs in the Works of Nono and Tintoretto
'); document.write('
Modal Four-Note Pitch Collections in the Music of Dvořák\'s American Period
'); document.write('
Using Interval Cycles to Model Krumhansl\'s Tonal Hierarchies
'); document.write('
Chromatic Transformations in Nineteenth-Century Music. By David Kopp. Cambridge: Cambridge University Press, 2002, xiii + 275 pages
'); document.write('
Echo and Reverb: Fabricating Space in Popular Music Recording, 1900–1960. By Peter Doyle. [Middletown] Connecticut: Wesleyan University Press, 2005, vii + 293 pages
'); document.write('
Contributors
'); document.write('
Back Matter
'); document.write('

');